Genuine.Soundware.VB3.The.Ultimate.Virtual.Tonewheel.Organ.VSTi.v1.22.Incl.Keygen-AiR
Genuine.Soundware.Spring.Reverb.Type4.VST.v1.01.Incl.Keygen-AiR
Genuine.Soundware.MrRay73.Mark.II.VSTi.v2.0.3.Incl.Keygen-AiR
Genuine.Soundware.KeyPerformer.VSTi.v1.0.Incl.Keygen-AiR
Genuine.Soundware.GS-201.Tape.Echo.VST.v1.1.3.Incl.Keygen-AiR
Genuine.Soundware.Electric.Grand.EG70.VSTi.v1.0.Incl.Keygen-AiR
Genuine.Soundware.Die.Funky.Maschine.ZD6.VSTi.v1.1.Incl.Keygen-AiR

Genuine Soundware Die Funky Maschine ZD6 VSTi v1.1

ZD6 is a physical modeling simulation of a vintage "D6" stringed electric piano.

Features:

* Full Polyphony (60 notes)
* Sympathetic resonances
* Realistic response to keyboard dynamics and aftertouch
* Octave transpose (1 oct. up, 1 oct. down)
* Adjustable global tuning
* Four dynamic curves available
* Realistic control panel with switches for active EQ and pickup selection
* Adjustable damper level and instrument volume
* Wah-Wah effect modeled after the famous JH-1 american Wah pedal
* Manual wah, LFO wah, auto-wah
* Distortion effect
* Eight-stage Phaser effect
* On-screen help tips and readout values
* Very low memory and CPU power needed
* Easy MIDI-Learn feature
* FX version included

Genuine Soundware Electric Grand EG70 VSTi v1.0

EG70 is a physical modeling simulation of a CP-70 electroacoustic baby grand touring piano.

Features:

* Full Polyphony (73 notes)
* Adjustable sympathetic resonances
* Realistic response to keyboard dynamics
* Adjustable global tuning
* Four dynamic curves available
* Realistic control panel with active EQ and Tremolo effect
* Stereo tremolo mode (auto-pan)
* Adjustable note decay and release lengths
* Built-in stereo digital reverb
* On-screen help tips and readout values
* Low memory and CPU power needed
* Easy MIDI-Learn feature

EG70 has a very natural response to keyboard dynamics and to player's style. You'll hear the benefits of physical modeling mostly when the sustain pedal is in use. The sound is warm and metallic at the same time, unpredictable, rich and natural like only a real piano can be.

Genuine Soundware GS-201 Tape Echo VST v1.1.3

GS-201 is an accurate simulation of a japanese Tape Echo machine of the early seventies.

Features:

* Distinctive dynamic range and frequency response
* Realistic response to the panel controls
* Motor "wow and flutter"
* Sound degradation and distortion at high feedback levels
* Very natural hum and background tape noise
* Three different kinds of magnetic tape models
* Ultra-low CPU usage
* Easy "MIDI Learn" feature

Genuine Soundware KeyPerformer VSTi v1.0

Key Performer can be described as the Swiss Army knife of the modern gigging keyboardist”. It's a single software instrument which offers a wide variety of keyboard sounds that are always used in almost all musical genres where a keyboardist is involved. Just to summarize a few of its key features, it offers:

* Several classic keyboard sounds including pianos, electric pianos, synths, organs, etc.
* A sample playback section (aka “ROMpler”) with “adaptive playback”
* A physical modeling classic Electric Piano
* A physical modeling “Wurly” piano
* A phase modulation synthesizer for the famous DX Piano
* A Virtual Analog polyphonic synthesizer
* A Virtual Tonewheel Organ with rotary speaker effect
* Two effect slots with all the most famous effects
* An AMP simulation section with overdrive
* A global Reverb effect
* 64 Programs per bank, 9 snaphots for organ sections and 9 for VA synth
* Full MIDI implementation
* Easy MIDI Learn
* Huge efficiency with very low CPU power requirements
* Simplicity of use, Versatility, Stability, Expandibility, Authenticity!

Genuine Soundware MrRay73 Mark II VSTi v2.0.3

MrRay73 Mark II is a digital simulation of the famous american electro-mechanical piano of the seventies, invented during World War II by a music teacher, Harold B. Rhodes (1910 - 2000), and widely used in almost all musical genres ranging from soul/black music to jazz, blues, modern and pop. This instrument has rapidly become a legend, and is still used today, altough samples have replaced the real thing so that very often music producers use huge sample libraries or hardware keyboards / workstations to achieve this kind of sonority, and often the result is a cold and 'dead' sound, with no vitality, no warmth, nothing that even compares to the unpredictability and genuineness of the real thing.

Features:

* Full Polyphony (73 notes E - E)
* No note-stealing
* Adjustable single sound elements (metal, wood, pedal and damper noises)
* Sympathetic resonance and harp vibration
* Sustain pedal re-pedaling feature
* Six-stage vintage style Phaser effect
* Dual mode Tremolo effect
* Power amp simulation (Suitcase model)
* Adjustable wear of mallets and other elements (Piano Age)
* Stretch tuning or Equal Temperament
* Four velocity curves plus an adjustable "Dynamic range" level
* Fully Midi controllable with MIDI-Learn function
* Very Low CPU and memory usage

Genuine Soundware Spring Reverb Type4 VST v1.01

A spring reverb is a system to obtain artificial reverberation invented during the 40's by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn't allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like "decay" (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.

Features:

* Four virtual springs with variable tension
* Variable decay length
* Variable dampening factor
* Adjustable pre and post filtering
* Adjustable timbre
* Very low memory and CPU power needed
* Easy MIDI-Learn feature

Genuine Soundware VB3 The Ultimate Virtual Tonewheel Organ VSTi 1.22

VB3 is a virtual tonewheel organ which simulates an american electromagnetic organ of the old days, but it's also capable of other simulations like the italian transistor organs of the seventies or the red-tolex organs played by famous pop bands of the sixties.

Features:

* Full polyphony (147 notes)
* Virtual 91 modeled tonewheels generator with accurate phase synchronization
* Adjustable leakage noise and cross modulation between tonewheels
* Three sets of waveforms: Set H (American Electromagnetic), Set F (Italian Transistor), Set V (Red Tolex Transistor)
* Three different organ models
* Adjustable global tuning
* Foldback on 16" deactivable
* Realistic motor wow & flutter
* Busbars and 9 key contacts simulation
* 17 steps drawbars
* Two separate sets of drawbars per manual
* Full "inverted octave" presets
* String Bass with adjustable release time
* Dynamic pickup coil impedance loss
* Adjustable generator filters scaling
* Single triggered percussion with natural capacitor discharge/recharge
* Adjustable global Percussion Level
* Adjustable global Percussion Decay
* Vibrato/Chorus virtual scanner
* Adjustable Vibrato Scanner depth
* Electronic vibrato simulation when Sets F or V are selected
* Separated Upper and Lower V/C tablets with smooth switching
* Dynamic tube overdrive simulation
* Spring reverb derived from Type4
* Smooth action volume pedal with adjustable MIDI response
* Stereo wooden rotary speaker simulation with artificial environment and microphones positioning
* Five different rotary speaker algorithms with adjustable "character"
* Tone Cabinet (stationary speaker) simulation
* Rotors brake position
* Adjustable background hum and noise
* Very low CPU consumption
* Midi controllable, supports VST automation
* Easy MIDI Learn function
* Up to four separated outputs
* Upper and Lower manuals SPLIT with adjustable split point
* Upper and Lower manuals octave transposers
* Selectable output level

@RapidShare.com: Download
@FileFactory.com: Download